Girlfriends


Aspiring photographer Susan Weinblatt (Melanie Mayron) and would-be poet Anne Munroe (Anita Skinner) are best friends and roommates in a five-flight walk-up on Manhattan’s Upper West Side. But one day Anne decides to marry and move out. When the best friends go
their separate ways, Girl Friends focuses on what happens to the one left behind. It’s about valuable, delicate and complex ties that bind people – girlfriends, boyfriends, husbands and lovers.
Producer/director Claudia Weill (It’s My Turn) captures the offbeat charm and edgy moments of city life – as well as a gem of a performance by Mayron (thirtysomething, Missing) in her first starring role. As Susan, she’s “warm and funny, human and lovable” (Cosmopolitan), just as Girl Friends is “a movie to treasure” (Kathleen Carroll, New York Daily News).

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Roots (Four-Disc 30th Anniversary Edition)

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The Golden Age of Light Music: Great British Light Orchestras

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It’s Alive Collection

IT’S ALIVE 1/IT’S ALIVE 2/IT’S ALIVE – DVD Movie
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British Film Music, Vol. 1

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British Film Music, Vol. 1

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Brother Men: The Correspondence of Edgar Rice Burroughs and Herbert T. Weston


Brother Men is the first published collection of private letters of Edgar Rice Burroughs, the phenomenally successful author of adventure, fantasy, and science fiction tales, including the Tarzan series. The correspondence presented here is Burroughsâ??s decades-long exchange with Herbert T. Weston, the maternal great-grandfather of this volumeâ??s editor, Matt Cohen. The trove of correspondence Cohen discovered unexpectedly during a visit home includes hundreds of itemsâ??letters, photographs, telegrams, postcards, and illustrationsâ??spanning from 1903 to 1945. Since Weston kept carbon copies of his own letters, the material documents a lifelong friendship that had begun in the 1890s, when the two men met in military school. In these letters, Burroughs and Weston discuss their experiences of family, work, war, disease and health, sports, and new technology over a period spanning two world wars, the Great Depression, and widespread political change. Their exchanges provide a window into the personal writings of the legendary creator of Tarzan and reveal Burroughsâ??s ideas about race, nation, and what it meant to be a man in early-twentieth-century America.

The Burroughs-Weston letters trace a fascinating personal and business relationship that evolved as the two men and their wives embarked on joint capital ventures, traveled frequently, and navigated the difficult waters of child-rearing, divorce, and aging. Brother Men includes never-before-published images, annotations, and a critical introduction in which Cohen explores the significance of the sustained, emotional male friendship evident in the letters. Rich with insights related to visual culture and media technologies, consumerism, the history of the family, the history of authorship and readership, and the development of the West, these letters make it clear that Tarzan was only one small part of Edgar Rice Burroughsâ??s broad engagement with modern culture.

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